A Resume On The Syrian Civil War - 1853 Words

Mallardo – M4 Written Assignment A prerequisite in understanding the Syrian civil war is to consider which groups are involved. One of the most debated issue within the conflict is the role of the two largest religious branches within Islam: Sunni and Shia. In what way are they different in Syria and what are their respective motivations? Why are they confronting each other and what do they look to achieve? To understand what is happening in Syria today, it is helpful to look back at the country’s history. Opposition movements started under the Ottoman Empire, with underground groups fighting the Ottomans for the independence of their country, resulting in a brief period of autonomy in 1920. After the partition of the Ottoman Empire at the San Remo conference, the country was put under French mandate with the approval of the League of Nations however revolts continued against the new rulers. To maintain control, France incited historical sectarian divisions: â€Å"during the period of the French mandate (1920-46), sectarian divisions were deliberately incited in order to suppress Arab nationalism† (Fildis, 2012). However, the fight against a common enemy brought together Sunnis, Shias, Alawites, Druzes and Christians Syrians. Eventually, the parties negotiated a Treaty of Independence. After autonomy, turmoil continued, leading to a series of military coups and counter-cou ps. 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The attempt by Assad’s governmentRead MoreThe Media Of Syrian Toddler1517 Words   |  7 PagesThe sharing of the image across social media of Syrian toddler Aylan Kurdiâ⠂¬â„¢s dead body washed up on a beach in Turkey has brought the Syrian’s plight into the eyes of the world. Thousands of men, women, and children make illegal and unsafe journeys across entire oceans just to get away from the conflict that is occurring in their home country. In view of the root of this horrible situation, one observes events dating back to 2011, when pro-democracy protests began throughout Syria. These protestsRead MoreSyrian Arab And The Syrian War2086 Words   |  9 PagesThe Syrian War is a worldwide issue that has dominated our newsfeeds and media outlets. Syrian Arab Republic is a small country located in the Middle East, surrounded by countries like Turkey, Jordan, and Iraq (see Figure 1.). 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Firstly, I do understand the fear ofRead MoreSyrian Crisis4645 Words   |  19 PagesI. Background to the crisis in Syria Protests asking for the release of political prisoners began mid-March 2011 and were immediately met by Syrian security forces who at first detained and attacked protestors with batons, and later opened gunfire, and deployed tanks and naval ships against civilians. Syrian President Bashar al-Assad refused to halt the violence and implement meaningful reforms demanded by protestors such as the lifting of emergency law, broader political representation and a freer

Absence of Absolute Good or Absolute Evil in Hawthornes...

Absence of Absolute Good or Absolute Evil in Young Goodman Brown Lo! There ye stand, my children, said the figure, in a deep and solemn tone, almost sad, with its despairing awfulness, as if his once angelis nature could yet mourn for our miserable race. Depending on one anothers hearts, ye had still hoped, that virtue were not all a dream. Now ye are undeceived! Evil is the nature of mankind. Evil must be your only happiness. Welcome, again, my children, to the communion of your race! The above quotation from Hawthornes Young Goodman Brown is of central importance in analyzing the attitudes and ideas present throughout the story, though in a curious way. The quotation (and the story itself), on first reading, seem†¦show more content†¦Hawthornes sense of irony and sarcasm is well illustrated in an episode like goodman Browns loss of his wife, Faith. Brown experiences several points in the forest where he wants to stop, yet he always continues, because he still has Faith. When a pink ribbon flutters down to him, however, he goes half-mad and continues on to the communion, now believing himself Faithless. Hawthornes use of more easily interpreted incidents and symbols like these only reinforce the idea for me that this is a story about much more than easy, clear divisions of human belief and behavior. I think Hawthorne knowingly used symbols which are slightly amusing in their simplicity because he is commenting, again, on the journey itself. His irony says that this is anything but an easy journey that starts out at dusk, made by a man with a wife named Faith, who meets witches in the woods and witnesses the totally corrupt nature of all humanity and then dies a lonely, tormented death. Its the perfect Christian fairy tale nightmare, and Hawthorne seems to have used it for exactly this reason: the journey itself is never so easy. When Brown returns to his town and sees the entire community involved in perfectly hypocritical activities as though nothing out of the ordinary is happening, I get the sense that Hawthorne is yet again suggesting thatShow MoreRelatedSymbolism and Allegory in Hawthornes Young Goodman Brown Essay2297 Words   |  10 Pages   Ã‚   The main characters in Hawthornes story Young Goodman Brown are Goodman Brown, his wife Faith and the stranger who accompanies Goodman Brown in the forest. At the beginning of the story Brown is bidding his wife, Faith farewell at their front door. Taking a lonely route into the forest, he meets an older man who bears a fatherly resemblance to both Brown and the Devil. Later that night Brown discovers to his amazement, that many exemplary villagers are on the same path including, GoodyRead More Comparing the Use of Light and Dark by Melville, Poe, and Hawthorne3135 Words   |  13 Pageslikely the absence of it, we can gain some insight into what these subversive romantics consider to be the truth of humanity. Hawthorne uses this technique to its fullest; however, it is also very obvious in the stories of Poe and Melville. All of these authors have something to say about what they perceive as the breakdown of man and society - and they often clue us in by using differing de grees of light. The presence of darkness and light is probably the most apparent in Hawthornes pieces,Read MoreANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words   |  116 Pagessavage instincts concealed beneath his civilized English veneer. Most plots, it should be noted, contain more than one conflict. In some cases, however, these multiple conflicts are presented in a way that makes it extremely difficult to say with absolute certainty which one is the most decisive. It should be noted as well that the conflict of a story may exist prior to the formal initiation of the plot itself, rather than be explicitly dramatized or presented in an early scene or chapter. Some conflicts

The Muscular SystemSkeletal Muscle Tissue Free Essays

The Muscular System: Skeletal Muscle Tissue Fill in the characteristics of the three muscle types: Muscle Type Cardiac Shape of cell Skeletal branching chains of cells single, long cylindrical # of nuclei 15 um in diamter, small Striations yes, has myofibrils and sarcomers Control involuntary 100 um In size, big Smooth single, spindle shape cells 2-10 In diameter, medium yes, presences of myoflbrilsno presence of myofibrils and sarcomeres voluntary tendons What attaches muscles to bone? 3. The whole muscle is composed of muscle cells (fibers) grouped in bundles called fascicles 4. Name the connective tissue coverings surrounding the following: Whole muscle epimysium perimysium Fascicles endomysium Muscle cell 5. We will write a custom essay sample on The Muscular System:Skeletal Muscle Tissue or any similar topic only for you Order Now Match the following three terms with their definitions: 2 Sarcolemma Sarcoplasmic reticulum Cytosol 6. – endoplasmic reticulum in muscle cell 3 – intracellular fluid around organelles – plasma membrane of muscle cell Terminal cisternae T-tubules 2 Triad 1 7. – part of sarcolemma†carries action potential – part of sarcoplasmic reticulum†stores calcium ions Myofibrils consist of contractile proteins called Name the two types and what they’re composed of: thin filaments composed of protien actin protien myosin thick filaments 8. . microfilaments Arrangement of myofilaments. Give the letter name of each band: Dark band †+ A band Light band †+ band Match two definitions with each band: – contains only thin filaments A contains defined by length of thick filament A defined 9. both thick and thin filaments as distance between two thick filaments Z line (disc) defined by length of thick filament, A band the H zones lies within the A band where the thick filaments are H zone 10. What happens to these areas during contraction? the z- lines move close Z line (disc) H zone the h zone will lesson in width during the contraction 11. Define these two terms: this is a thin or a fine band that is dark and will cross over into the center of the M line A band and has striated fiber muscles are muscles that have two important filaments, thin and thick. they lie in between Sarcomere bands 12. the two z- Organization of muscle. Put the following components in order, from smallest to largest: 6 fascicle 2 muscle myofibril 4 myofilament 5 muscle 1 muscle fiber. How to cite The Muscular System:Skeletal Muscle Tissue, Papers

Most Common Dance Injuries free essay sample

Next to stage fright, it’s these overuse injuries that become a dancers biggest nightmare. For many dancers depending on the severity of the injury it’s their bodies’ simple way of ending a career and something the dancer has enjoyed all their life. Across the spectrum of dance there is very little doubt that the vast majority of injuries are the result of overuse rather than trauma. The foot, ankle, and lower leg area is the most vulnerable to a wide range of injuries (Solomon and Russell). The following are types of injuries but are not limited to, stress fractures, tendon injuries, sprains, and strains. However, it’s these injuries that show up in greater frequencies. As dancer’s age their chances of becoming injured caused by overuse significantly increases, which is why is it so important to emphasis ways to prevent future injuries. According to expert consultants Ruth Solomon and Jeffrey Russell, dancers are exposed to a wide range of factors for injury. The most common issues that cause dance injuries are the type of dance and frequency of the class, duration of the training and the conditions of the environment. Most wouldn’t consider the floor type and temperature in the studios but these factors play a huge role in injuries. Along with the previously stated, the equipment used such as shoes can cause damage because the individual’s body alignment can be altered. Alongside these issues, the appearance of previous injury to body parts and nutritional deficiencies are among the biggest risk factors for the dancing community (Solomon and Russell). In 1996, several doctors teamed up to better understand the prevalence and risk factors for theatrical injuries and conducted a survey of performers in Broadway productions and touring companies (Evan, Evans and Carvajal). The doctors obtained information from three hundred and thirteen performers across twenty three different companies. Shockingly they instantly found that fifty five point five percent of the performers were injured (Evan, Evans and Carvajal). When put in terms of numbers that averages to 1. 08 injuries per dancer. The lower extremity injuries were the most common at fifty two percent, followed by back at twenty two percent and the neck at twelve percent (Evan, Evans and Carvajal). The least frequent injuries occurred in the upper extremities with the shoulder consisting of only six percent of the dancers (Evan, Evans and Carvajal). Of the lower extremities the knee at twenty nine percent, ankle at twenty five percent, foot at twenty percent, and the hip at twelve percent (Evan, Evans and Carvajal). As the study reported factors that significantly increased the risk of injury for dancers, it was their goal to heighten the concern for reduction prevention through stretching, proper warm up technique, and overall general care for their bodies (Evan, Evans and Carvajal). After acquiring an injury taking the proper treatment in order to recover your body to it fullest potential is most important. Your spine is made up of three sections; the cervical, thoracic, and lumbar (Fukishima). When it comes to back injuries, dancers tend to get injured in their thoracic or lumbar regions. The most common injury is frozen back, which is when the muscles in the back spasm (Fukishima). This is caused by fatigue, hyper mobility, inequalities in the dancer’s leg length, and scoliosis or curvature in the spine. Another common back injury is sprains and strains in the ligaments in the spine (Fukishima). The best way to treat a back injury is R. I. C. E. R. I. C. E stands for rest, ice, compression, and elevation. Increasing your core strength is also very important because it helps support your lower back and makes it less susceptible to injury (Fukishima). Stretching properly is a great way to protect your back from injuries. The neck is made up of the cervical potion of the spine. A common trait of dancers is jutting the chin. Jutting the chin is when you lift your head up to increase height appearance and when doing this the head is pulled out of alignment with the rest of the spine (Kay). This means the neck is more vulnerable to injuries. Jutting the chin can cause instability and early degeneration or erosion in the cervical spine (Kay). Another cause of neck injuries is throwing your head weight because the head weighs approximately ten to twelve pounds. When dropping the head straight back or forcefully to the side the spine and nerves running down the arm and chest are compressed which can lead to cervical sprains (Kay). The knee is a part of the body that dancers tend to not necessarily focus on mostly. Most knee injuries occur from leaps in dance and turnout, which is seen in ballet dancers. The most common knee injury is hyperextension, which is the movement or extension of joints, tendons, or muscles beyond the normal limit of range of motion (Kay, The Knees). This occurs more in ballet dancers from trying to obtain turnout, by pushing back into the knees, putting unnecessary pressure on the joints. Another common knee injury is to the anterior crucial ligament or ACL (Kay, The Knees). The ACL is the ligament within the knee that keeps your femur and tibia together. This is usually caused by large leaps and jumps and landing abruptly, or twisting your body while your foot stays in place (Kay, The Knees). In treating a knee injury again the best treatment is R. I. C. E. Rest, ice, compression, and elevation. Electrical stimulation and ultrasound is also great treatments in working with ligament injuries. Electrical stimulation is a machine that uses an electrical current to cause a single muscle or a group of muscles to contract (Kay, The Knees). This strengthens the muscles and ligaments without causing strain or stress on the injury. Ultrasound is used to treat pain conditions and heals damaged tissues. Other treatments for knee injuries include squat exercises, bicycling, weight-bearing exercises, and stabilizing exercises. Another great thing is to stretch and strengthen the muscles that surround your knee; such as the quads, hamstrings, and gluteal, so that the knee is stable and supported (Kay, The Knees). In dance the most common ankle injury is an inversion ankle sprain which is when the foot is forced inward beyond ligament control (NYU Langone Medical Center). This usually occurs when the dancer looses balance or lands from a jump with the ankle/ foot is extended. There are three types of ankle sprains; grade one, grade two, and grade three (NYU Langone Medical Center). A grade one ankle sprain is a very small tear or excessive stretching of the ligament with no looseness within the joint (NYU Langone Medical Center). A grade two sprain has a more severe tear, and the injured can sometimes feel a popping sensation in the ankle however there is also some instability and control in a grade two sprain (NYU Langone Medical Center). A grade three sprain is the most severe. This is a complete tear of the ligament with significant instability or none at all (NYU Langone Medical Center). When taking care of an ankle or foot injury R. I. C. E is also the first treatment type used. The hip is a stable structure due to its ball and socket anatomical makeup. The hip is surrounded by strong muscles; such as adductors, abductors, flexors, rotators, hamstring and gluteal; which allow smooth, controlled, and balanced movements (Wozny). Most hip injuries are caused by performing bad technique. One common hip injury is referred to as â€Å"snapping hip†. Snapping hip is a condition that is represented by a snapping sensation felt in the hip (Wozny). Dancers with this condition can also feel or hear a popping within their hip when it is flexed and extended. This is caused by the hip tendon catching on a bone and then â€Å"snapping† in place when the hip joint moves (Wozny). Dancers tend to get this condition due to their abnormal flexibility. Another common injury in the hip is called trochanteric bursitis. Trochanteric bursitis is when there is inflammation or swelling on the trochanteric bursa, which is located on the side of your hip (Rowand, Chambliss and Mackler). There is usually no specific cause for this condition but can be from overuse of the hip or snapping hip. Treatment for snapping hip consists of reducing practices and training and just resting the hip. If there is pain with the condition then anti-inflammatory drugs may be used to reduce pain and swelling. In treating trochanteric bursitis the best way is through rest and icing the hip (Rowand, Chambliss and Mackler). After obtaining any type of injury it is important that the dancer take the proper steps in repairing and recovering from their injury. It is also vital that the dancer does not try to work through their pain. While working through pain can cause overuse and even increase the severity of the injury, it will also make the injury harder to treat. Focusing on developing and strengthening your muscles can also help prevent injuries from occurring more frequently. The best thing you can do for your body is giving it the rest it needs. When you rest it allows your body to recover properly and allows you to perform with less stress on the body. Proper technique is also important in preventing injuries. In conjunction with proper technique, however, the most important thing you can do to prevent an injury is to practice proper warm-ups and stretching. Stretching allows the body to be prepared for training. ? References Evan, Randolph W, et al. A Survey of Injuries among Broadway Performers. American Journal of Public Health 86. 1 (1996): 77-80. Fukishima, Rhoda. The Facts on Backs: Health and Fitness for Life. Dance Magazine 20 April 2002: 13-14. Kay, Lauren. The Head NEck. Dance Magazine 14 Janurary 2010: 12-13. —. The Knees. Dance Magazine 14 July 2010: 13-14. NYU Langone Medical Center. The Foot and Ankle. 2011. 19 5 2013 . Rowand, Mark, Lee M Chambliss and Leslie Mackler. How Should you Treat Throchanteric Bursitis? The Journal of Family Practice (2009): 494-500. Solomon, Ruth and Jeffrey A Russell. Stop Sports Injuries. 2010. 19 5 2013 . Wozny, Nancy. 10 Common Dance Injuries. 12 8 2010. 19 5 2013 .